graffik.de bewertung und analyse

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Title graffik = design±research by Jan-Henning
Description graffik =graphic design ± research janhenning.raff@gmail.com @ j__________r___ prof. for visual communication~~ hmkw.de ¬ Berlin, Germany Dear reader~view
Keywords N/A
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WebSite graffik favicongraffik.de
Host IP 185.26.156.44
Location Germany
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graffik.de bewertung
Euro1,102
Zuletzt aktualisiert: 2022-06-02 02:19:43

graffik.de hat Semrush globalen Rang von 43,454,349. graffik.de hat einen geschätzten Wert von € 1,102, basierend auf seinen geschätzten Werbeeinnahmen. graffik.de empfängt jeden Tag ungefähr 551 einzelne Besucher. Sein Webserver befindet sich in Germany mit der IP-Adresse 185.26.156.44. Laut SiteAdvisor ist graffik.de sicher zu besuchen.

Verkehr & Wertschätzungen
Kauf-/Verkaufswert Euro€1,102
Tägliche Werbeeinnahmen Euro€18,183
Monatlicher Anzeigenumsatz Euro€6,061
Jährliche Werbeeinnahmen Euro€551
Tägliche eindeutige Besucher 551
Hinweis: Alle Traffic- und Einnahmenwerte sind Schätzungen.
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Host Type TTL Data
graffik.de. A 599 IP: 185.26.156.44
graffik.de. AAAA 599 IPV6: 2a00:d0c0:200:0:5040:1cff:fe4d:5b96
graffik.de. NS 3600 NS Record: ns44.domaincontrol.com.
graffik.de. NS 3600 NS Record: ns43.domaincontrol.com.
graffik.de. MX 600 MX Record: 50 mx0.graffik.de.
HtmlToTextCheckTime:2022-06-02 02:19:43
graffik =graphic design ± research janhenning.raff@gmail.com @ j__________r___ prof. for visual communication~~ hmkw.de ¬ Berlin, Germany Dear reader~viewer, currently, I am doing basic research about spatial arrangements (layout, compositions) for graphic design. I am experimenting with the automation of this task using the computer. I am also checking out machine learning techniques. Layout of three elements depending on just one coordinate. Try it out, it follows your mouse’s/finger’s position. This simple example clearly shows that layout is about relations. Shouldn’t our design tools take this into account? Think of a layout tool like this: Since long, artists and designers are preoccupied with the expressiveness of compositions. In Point and Line to Plane (Kandinsky 1947 [1926]) writes: “The ‘above’ gives the impression of a great looseness, a feeling of lightness, of emancipation and, finally, of freedom. […] The effect of ‘below’ is completely contrary: condensation,
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